Boy George has been turning heads and bending ears for over three decades.


The groundbreaking musician, who released some of the biggest hits of the '80s and has been an in demand DJ since the '70s, is currently on a DJ tour across the U.S. alongside co-headliner Marc Vedo.


We recently caught up with George to chat about life on the road, his thoughts on Miley Cyrus, the reactions to his new look and more.


The Huffington Post: This is your first time DJing in the U.S. in seven years. A lot has changed over that period in terms of the musical landscape. How has your approach to DJing changed along with the times?

Boy George: The term EDM has come to represent a very European style of dance music in America, with the rise of DJs like Avicii and David Guetta, so I was slightly worried that my style would not fit in. I don't play big stadium-style dance but I have discovered, to my delight, that the appetite for real low slung deep house is very much alive. I'm of the opinion that as a DJ you must always play what you love and ignore what's "trendy" because true passion always eclipses what’s fashionable. Quality is always fashionable.


Many people think that DJing isn't a real profession or believe that anyone can just "push play." What's your response to that?

Well, people say a lot of things but real DJing is about thinking on your feet. If you are a festival-type DJ playing the most popular tracks from this week’s Beatport chart then you can pretty much push buttons and allow the audience to dictate the art form. A good DJ brings his personality and taste to the club and giving people what they think they want isn't always that interesting. A difficult crowd will always test your true ability. A lot of today’s up-and-coming DJs have no experience of building a set or a career -- a bit like some of today’s instant pop stars.


What's the biggest mistake a DJ can make mid-set? Do you have any DJing horror stories?

Leaving to go to the toilet or having a conversation as the track is about to end! For myself the worst moments are having the wrong type of people in the club holding up pictures from twenty years ago. If you don't absolutely love "dance music" it's probably best not to come. Seeing bored looking fans staring at you while you DJ is about as horrible as it gets. The clue is in the title: "DANCE MUSIC!"


You've gotten a lot of attention for your new look. How do you feel about the response?

Some people hate the beard but I'm not really that bothered. It's my face. Yeah, it's nice to get compliments on how I look. I'm sure people were saying all sorts of derogatory things before! I feel great and I'm very happy.


As someone who has been in the spotlight himself for having a controversial look and persona, how do you feel about all the drama regarding Miley Cyrus? Are you team Miley?

You have Miley stripping naked at every opportunity and Kanye bringing Jesus on stage and then Gaga posting "Madonna hates Gaga" tweets. One wonders what it has to do with music but people have to find ways to get attention! I guess I find it mildly entertaining like the rest of you!


When it comes to how much the music industry has changed since you first started out, what's the thing you miss the most or you're the most nostalgic for from that time?

I'm retrophobic. [laughs] That's the name of my new dance project -- "Retrophobia." We use lots of vintage samples and give them a new twist. I'm not nostalgic for the past at all except that promoters used to be more hospitable, but that's about it. I feel you should honor and respect your legacy but then seriously get over it. I love now. It's all about now.


You were one of the first very openly queer artists to make it in mainstream music. What was that like? Terrifying? Thrilling? Did anyone ever try to get you to tone down your image?

I came out to my family at 15 so by the time I was in Culture Club I was pretty fearless. I had to keep it to myself because people around me thought it would damage my career but I think everyone worked it out pretty quickly. I think coming out is a very personal thing and I now feel it is an individual choice. If you are not attacking other people then you should be able to keep it private. I think it's always best for one's own soul and personal happiness to come out. The closet is not a joyful place but you must feel safe before you make the decision to go public!


When do you think we'll see a huge gay male pop star? What will have to change for that to be possible?

I hope it never comes down to that. I prefer to live in a world where you are judged on talent and sexuality is completely secondary. There have been many successful openly gay artists -- George Michael, Neil Tenant, Marc Almond -- but the bravest was always Jimmy Somerville. I'm doubtful if we will ever live in a world where sexuality won't be an issue for at least a small minority. Homophobia and racism are part of the human condition.


Is there anything that you specifically look forward to (a food? a city?) whenever you tour the U.S.?


I love Seattle the most and this time we stayed in Alki Beach and people were so sweet. This trip has been a great experience and we have had some bonkers gigs. Dallas and San Francisco stand out but I have seen how good it can be. We had a couple of brilliant gigs in Canada in Winnipeg and Castlegar in British Colombia. I'm a Wholefoods freak and wherever I go in the US I'm straight online looking for Wholefoods and Starbucks -- I love my morning doppio espresso!


Boy George will be spinning this Thursday, Oct. 24 at Pacha in NYC and Saturday, Oct. 26 at Exchange in L.A.


boy george



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  • 'I'm Coming Out,' Diana Ross (1980)


    Nile Rodgers, who also produced smash hits for David Bowie and Madonna among other artists, is said to have come up with the idea for the song after noticing three different drag queens dressed as Diana Ross at a New York club.

    In 1997, the Notorious B.I.G. sampled this on the track "Mo' Money Mo' Problems," which became a No. 1 hit in the U.S.




  • Jimmy Roland: "Partners For Life"


    A wedding/commitment song that was also used in an off-Broadway Gay comedy play. (c) 2003 Jackie's Music Publishing - BMI //E. Story & J. Roland




  • 'Born This Way,' Lady Gaga (2011)


    Though it faced substanial criticism for its perceived similarities to another ambitious blonde singer's 1989 anthem, "Born This Way" has certainly achieved its own place in pop history.

    Not only are we pretty sure it's the first time a song of this caliber has ever included the word "transgender," but it's also gone on to become the name of Lady Gaga's anti-LGBT-bullying foundation.




  • 'Let's Have a Kiki' - Scissor Sisters


    The song that taught the world what a kiki is, last summer's earworm that took over gay brunches around the world. Sadly though, shortly after the song was released Scissor Sisters announced an indefinite hiatus.




  • 'Believe,' Cher (1999)


    Named by <em>Billboard</em> magazine as "the best darn thing that Cher has recorded in years," the song -- which sold over 10 million copies worldwide -- breathed new life into the diva's music career, re-inventing her as a disco queen and making her the only recording artist to hit No. 1 on the pop charts in each of the past six decades.




  • 'Over The Rainbow,' Judy Garland (1939)


    It's shocking to think now, but Judy Garland's signature tune was initially deleted from "The Wizard of Oz" because MGM executives thought it slowed down the action of the film. Ranked by the American Film Institute as the "greatest movie song of all time," it has since been recorded by Eva Cassidy, Patti LaBelle, Kylie Minogue, Matthew Morrison and others.




  • 'Same Love feat. Mary Lambert' - Macklemore & Ryan Lewis


    With the smash hit "Thrift Store," Macklemore & Ryan Lewis released this collaboration with singer, Mary Lambert, a song about the preconceived notions of what it means to be gay, and how everyone is equal, despite who they love.




  • 'Take Your Mama Out,' Scissor Sisters (2004)


    The glam rock band is known for their upbeat, retro-sounding tunes, but perhaps none of their hits is better suited as a gay anthem than "Take Your Mama Out," which is said to be about a young gay man growing up in a conservative household.




  • 'Don't Rain On My Parade' from 'Funny Girl,' Barbra Streisand (1968)


    Years before it became known to teen audiences as a staple of "Glee" star Lea Michele, "Don't Rain On My Parade" was a signature tune for Barbra Streisand, who crooned it in both the stage and screen versions of the musical "Funny Girl."




  • 'Dancing Queen,' ABBA (1976)


    ABBA's only No. 1 U.S. hit, "Dancing Queen" originally contained another verse which was scrapped in the final recording: "Baby, baby, you're out of sight/hey, you're looking alright tonight/when you come to the party/listen to the guys/they've got the look in their eyes..."




  • 'Beautiful,' Christina Aguilera (2002)


    Penned by 4 Non Blondes frontwoman Linda Perry (who is openly gay), "Beautiful" earned Christina Aguilera a 2004 Grammy Award for Best Female Pop Vocal Performance, while its accompanying video -- which featured both gay and transgender characters -- nabbed the star a GLAAD Media Award.




  • 'I Will Survive,' Gloria Gaynor (1978)


    Gaynor's smash because the first -- and only -- song to ever receive the Grammy Award for Best Disco Recording in 1980, as the award was discontinued the following year.

    Interestingly, the success of "I Will Survive" was sheer luck: the song was originally released as the B-side to a cover version of the Righteous Brothers' "Substitute," but club and radio DJs opted to play the other side of the record instead.




  • 'The Man That Got Away,' Judy Garland (1954)


    "A Star is Born" helped revive Judy's then-floundering movie career in 1954 (though she lost out on an Oscar to Grace Kelly in "The Country Girl") and this memorable solo number quickly became a regular part of her concert repertoire going forward.

    Interestingly, the song has also been covered by a number of men, including Rufus Wainwright and Broadway performer Raul Esparza, without changing the gender.




  • 'Last Dance,' Donna Summer (1978)


    The theme song to the film "Thank God It's Friday" was one of the first disco songs to also feature slow-tempo segments.

    Although the song cemented Summer's "Queen of Disco" moniker, the star is said to have always resented that reputation. "I do not consider myself a disco artist," she once told <em>Time</em> magazine. "I consider myself a singer who does disco songs."




  • 'Supermodel (You Better Work)' - RuPaul


    The 1992 single that shot RuPaul to stardom. A song sung by a drag queen, about supermodels and "sashaying" was an unexpected hit in the early 90s.




  • 'Y.M.C.A.,' Village People (1978)


    Though "Y.M.C.A." is often understood as a reference to the Young Men's Christian Association's perceived reputation as a popular gay cruising and hookup spot, the Village People's lead singer Victor Willis (who appeared both as "The Cop" and "The Naval Officer") has claimed the song was written rather as a reflection of young urban black youth.




  • 'We Are Family,' Sister Sledge (1979)


    "We Are Family" wasn't just a dance smash, it was also the theme song for the 1979 Pittsburgh Pirates.

    As if to cement its reputation as a gay anthem, the song was featured in both the 1996 film "The Birdcage," starring Robin Williams and Nathan Lane, and the 1997 film "The Full Monty," about a group of working-class British men who decide to form a male striptease troupe.




  • 'Vogue,' Madonna (1990)


    One of the Material Girl's seminal (and, arguably, most gay-encompassing) smash hits almost didn't see the light of day on radio, as it was originally planned as the B-side to "Keep It Together," the fifth and final single off her 1989 "Like A Prayer" album.

    Madonna was introduced to "voguing" by two of her Blond Ambition Tour dancers at the New York City club Sound Factory, and her endorsement helped spark a major dance craze.




  • 'It's Raining Men,' The Weather Girls (1982)


    "I thought, 'Nobody is going to buy this song. Nobody is going to believe this,'" Martha Wash now recalls of recording the song -- which had previously been rejected by Barbra Streisand, Cher and Donna Summer among others -- with her fellow Weather Girl Izora Armstead, who died in 2004.

    Wash's doubts were quickly proven wrong, however, as the single nabbed the top spot on the Billboard dance charts and has since been covered by RuPaul and former Spice Girl Geri Halliwell, whose version was featured on the soundtrack of "Bridget Jones' Diary."




  • 'Freedom '90,' George Michael (1990)


    Oddly, George Michael refused to appear in the music video for "Freedom '90," so director David Fincher recruited a number of supermodels (including Cindy Crawford and Naomi Campbell) and male fashion models to star in it instead.

    The song was later covered by British pop star Robbie Williams, who left boy band Take That to achieve global success as a solo star, much as Michael did following his split with Wham!




  • 'And I Am Telling You I'm Not Going' from 'Dreamgirls,' Jennifer Holliday (1982)


    One of the few recent Broadway ballads to achieve success on the pop charts, "And I Am Telling You..." made a superstar out of Jennifer Holliday, who originated the role of Effie White in the musical "Dreamgirls," in 1982, and then did the same nearly 25 years later for Jennifer Hudson, who portrayed the character in the acclaimed movie version.




  • 'I Am What I Am' From 'La Cage Aux Folles,' Gloria Gaynor (1983)


    Arguably the best-known song from the 1983 musical "La Cage aux Folles," "I Am What I Am" didn't quite repeat the chart success of "I Will Survive" for Gaynor, but nonetheless went on to become the second of her singles to achieve gay anthem status.




  • 'I Want To Break Free,' Queen (1984)


    Queen frontman Freddie Mercury remains an LGBT icon for many reasons -- as one of rock music's first performers to not only acknowledge his bisexuality, but also embrace it in his flamboyant stage presence. Mercury's openness was certainly envelope-pushing in the world of 1970s and '80s arena rock, and it only seemed to further his band's popularity among the masses.

    The video for the song, which featured Freddie and other band members in full drag, was considered controversial in the U.S. and initially banned by MTV.




  • 'Together Again' - Janet Jackson


    The smash 1997 song Janet wrote about her friends who had died from AIDS. The single is one of the best selling singles of all time, with over six-million copies sold worldwide.




  • 'Defying Gravity' from 'Wicked,' Idina Menzel (2003)


    A song about living without limits and going against the grain has undoubtedly immediate resonance to the gay community -- let alone a ballad sung by a famed "Wizard of Oz" villain in the Broadway musical version of "Wicked," which re-casts the Wicked Witch of the West in a more sympathetic light than in previous incarnations of the story.

    A remix version of Idina Mendel's classic was the official anthem of 2007 Gay Pride Parade and Festival in Los Angeles, and was also performed by both Rachel (Lea Michele) and Kurt (Chris Colfer) in the hit series "Glee."




  • 'Firework,' Katy Perry (2010)


    Perry revealed in an interview that the hit song, which she's said was inspired by Jack Kerouac's novel "On the Road," included the line "like a firefly," rather than "like the Fourth of July," which made the final cut.

    The song's colorful video was shot in Budapest, Hungary and features aerial shots of several of the city's landmarks, including Buda Castle and the Chain Bridge.




  • 'Relax,' Frankie Goes To Hollywood (1984)


    When it was initially released, "Relax" sparked controversy for what some interpreted as graphic lyrics -- "When you want to come," for instance, was thought to be a reference to orgasm.

    In addition, the original version of the video showed lead singer Holly Johnson cavorting in a leather bar along with other blatant homoerotic imagery, and was banned by MTV.




  • 'True Colors,' Cyndi Lauper (1986)


    Although Lauper's smash single has long been embraced a gay anthem, co-writer Billy Steinberg (who also penned Madonna's "Like A Virgin" and the Bangles' "Eternal Flame" with Tom Kelly) is said to have written the song about his own mother.

    The song's title also became the name of Lauper's New York City-based foundation for homeless LGBT youth.




  • 'New York City Boy,' Pet Shop Boys (1999)


    There's plenty of gayness to admire in the lyrics to "New York City Boy," but the Pet Shop Boys' embrace of the gay community doesn't stop there. The English electronic dance music duo has collaborated with some of the most beloved gay icons of all time, including Elton John, Liza Minnelli, Kylie Minogue, Madonna and Lady Gaga.




  • 'Your Disco Needs You,' Kylie Minogue (2001)


    From 1987's "I Should Be So Lucky" to 2010's "Get Outta My Way," Kylie has a number of great tunes which could be considered anthems. But none cemented the Aussie pop diva's status as a gay icon quite as effectively as 2001's "Your Disco Needs You," which had limited chart success at the time despite quickly becoming a fan favorite. The song got an extra layer of gay endorsement when it was covered by original Village People member Randy Jones in 2008.




  • 'Single Ladies,' Beyonce (2009)


    The choreography seen in the video for "Single Ladies" was inspired by Bob Fosse, who directed Liza Minnelli in the Oscar-winning movie music "Cabaret" as well as well as her "Liza With A Z" television concert, which won four Emmy Awards.

    Things came full circle in 2010 when Liza covered the smash song for the soundtrack of "Sex and the City 2," and performed it -- with the full Fosse-inspired choreography -- for the film's gay wedding scene.




  • 'Call Me Maybe,' Carly Rae Jepsen (2012)


    Undeniably one of the songs that will define summer 2012, Jepsen's smash has already prompted a number of inspired covers, with everyone from Justin Bieber to Harvard University baseball players to gay porn stars crooning along. Of course, Jepsen's video isn't lacking in gay appeal, either, featuring a hunky handyman with a little secret of his own.




  • 'Proud' - Heather Small


    Former lead singer of M People, Heather Small released the single, "Proud" from her solo album, with the song become a worldwide pride anthem.




  • 'Judy Garland' - Get Happy


    (user submission) JUDY GARLAND "GET HAPPY" Though it's called Summer Stock, this marvelous "let's put on a show" musical - the final one that showcased the peerless pair of Judy Garland and Gene Kelly - is a delight for all seasons. The story is simple: a homespun farm family allows a Broadway production company to rehearse its new show on their property - if the performers "pay" their way by pitching in with all the farm chores! But the pleasures are abundant: a show-stopping, all-star "Battle of the Dances" that starts out as a square dance and blossoms into a cavalcade of high-stepping dance favorites; Kelly's marvelous song and later dance to "You, Wonderful You;" four of the most popular comedic screen actors ever: Phil Silvers, Eddie Bracken, Hans Conried and Marjorie Main; and Garland's incomparable "Get Happy," a smashing sequence that's one of her peak movie moments.




  • 'Ray of Light' - Madonna


    From 1998's album of the same name, Madonna's Grammy-winning classic was a return to form for the world's number one pop star.




  • Rise Up


    Rise Up" is a pop song recorded by the Canadian group Parachute Club on their self-titled 1983 album. It was produced and engineered by Daniel Lanois, and written by Parachute Club members Billy Bryans, Lauri Conger, Lorraine Segato and Steve Webster with lyrics contributed by filmmaker Lynne Fernie.
    An upbeat call for peace, celebration, and "freedom / to love who we please," the song was a national hit in Canada, and was widely hailed as a unique achievement in Canadian pop music:




  • United We Stand


    Gay Anthems




  • Knight in Black Leather


    Gay Anthems




  • Everybody Wants to Say I Do by Town and Country


    Support marriage equality; share this video on Facebook and with everybody you know, gay or straight.




  • Moon Trent - Old School Dance (remix)


    a great song about The Castro in San Francisco...




  • Society Child Janis Ian


    Interesting history, this song has.




  • Erasure Freedom


    Freedom gives hope, defines love, and just screams "Pride" in yourself and love, no matter the obstacles you face,




  • Everyone Was At Stonewall


    StoneWall Society's 2004 Song of the Year




  • If you Believe


    Pride anthems - Lena Horne from the Wiz




  • Samia - We Have The Right - A Marriage Equality Anthem


    NYC rock singer Samia's anthem for marriage equality. We have the right to be together! #marriageforall www.samiamusic.com